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Best islamic art and architecture 650-1250
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![Islamic Art & Architecture 650-1250 (01) by Ettinghausen, Richard - Grabar, Oleg - Jenkins-Madina, Marilyn [Paperback (2003)]](https://images-na.ssl-images-amazon.com/images/I/319rP8ku-xL.jpg)
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Best islamic art and architecture 650-1250 reviews
1. Islamic Art and Architecture 650-1250
Description
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabars original text, this book has been completely rewritten and updated to take into account recent information and methodological advances.
The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book.
With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book.
With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
2. Islamic Art and Architecture (The World of Art)
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Thames HudsonDescription
Covering one thousand years of history and an area stretching from the Atlantic to the borders of India and China, Robert Hillenbrand incorporates all the latest discoveries and interpretations in this authoritative guide to the arts of Islam.
From the supreme confidence of the Dome of the Rock in Jerusalem to the scores of exquisite buildings of Ottoman Istanbul; from the extraordinary virtuosity of Persian painting in the fifteenth century to the vivid ceramic tradition of Ottoman IznikHillenbrand does justice to both the highlights and the ongoing evolution of the full range of Islamic arts. Supported by a glossary of Islamic terms, a time line, and maps, this book traces the architecture, calligraphy, book illumination, painting, ceramics, textiles, and metalwork of a vastly accomplished and influential civilization.3. Islamic Art and Architecture, 650-1250 (The Yale University Press Pelican Histor)
Description
Surveys the significant artistic and architectural works of Islamic countries from the seventh through the thirteenth centuries4. Islamic Art & Architecture 650-1250 (01) by Ettinghausen, Richard - Grabar, Oleg - Jenkins-Madina, Marilyn [Paperback (2003)]
Description
Islamic Art & Architecture 650-1250 (01) by Ettinghausen, Richard - Grabar, Oleg - Jenkins-Madina, Marilyn [Paperback (2003)]5. The Art and Architecture of Islam, 1250-1800 (The Yale University Press Pelican History of Art Series)
Feature
Yale University PressDescription
Virtually all the masterpieces of Islamic artthe Alhambra, the Taj Mahal, and the Tahmasp Shahnamawere produced during the period from the Mongol conquests in the early thirteenth century to the advent of European colonial rule in the nineteenth. This beautiful book surveys the architecture and arts of the traditional Islamic lands during this era.
Conceived as a sequel to The Art and Architecture of Islam: 650-1250, by Richard Ettinghausen and Oleg Grabar, the book follows the general format of the first volume, with chronological and regional divisions and architecture treated separately from the other arts. The authors describe over two hundred works of Islamic art of this period and also investigate broader social and economic contexts, considering such topics as function, patronage, and meaning. They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles. The authors conclude with a provocative essay on the varied legacies of Islamic art in Europe and the Islamic lands in the nineteenth and twentieth centuries.
Conceived as a sequel to The Art and Architecture of Islam: 650-1250, by Richard Ettinghausen and Oleg Grabar, the book follows the general format of the first volume, with chronological and regional divisions and architecture treated separately from the other arts. The authors describe over two hundred works of Islamic art of this period and also investigate broader social and economic contexts, considering such topics as function, patronage, and meaning. They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles. The authors conclude with a provocative essay on the varied legacies of Islamic art in Europe and the Islamic lands in the nineteenth and twentieth centuries.
6. China's Early Mosques (Edinburgh Studies in Islamic Art)
Description
Received an honorable mention at the 2016 British-Kuwait Friendship Society Book PrizeWhat happens when a monotheistic, foreign religion needs a space in which to worship in China, a civilisation with a building tradition that has been largely unchanged for several millennia? The story of this extraordinary convergence begins in the 7th century and continues under the Chinese rule of Song and Ming, and the non-Chinese rule of the Mongols and Manchus, each with a different political and religious agenda. The author shows that mosques, and ultimately Islam, have survived in China because the Chinese architectural system, though often unchanging, is adaptable: it can accommodate the religious requirements of Buddhism, Daoism, Confucianism, and Islam.
About the series: Edited by Robert Hillenbrand, books in the Edinburgh Studies in Islamic Art series offer readers easy access to the most up-to-date research across the whole range of Islamic art, representing various parts of the Islamic world, media and approaches. Books in the series are beautifully illustrated academic monographs of intellectual distinction that mark a significant advance in the field.
7. Islam: Art and Architecture
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Islam Art and ArchitectureDescription
Islam, the second largest and the youngest of the major world religions, has changed the world and left its mark on human history since the appearance of the prophet Mohammed in the seventh century. Islam: Art and Architecture follows the historical development and artistic expressions of the Islamic dynasties and regions.
8. Islamic Art and Architecture: From Isfahan to the Taj Mahal
Description
More than five hundred full-color illustrations and reproductions capture a panoramic array of Islamic art and architecture in a study that examines the sources, forms, themes, and symbolism of Islamic artistry, as exemplified in mosques, palaces, landscape architecture, caligraphy, miniature painting, tapestries and textiles, and other artforms.9. Islamic Art and Architecture: Memories of Seljuk and Ottoman Masterpieces
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Blue Dome PrDescription
In her richly illustrated book, artist and author Laurelie Rae shares her memories of some of the most beautiful and historic monuments in Turkey. Join her on your journey through Asia Minorone of the world's oldest and most important trade routes along the Silk Road, wandering through the ancient streets of the Ottoman capitals of Istanbul, Edirne, and Bursa, or entering into the Seljuk period stone-carved masterpieces throughout Anatolia.Rae's splendid drawings of the interior and exterior of the monuments and the inspirational text accompanying them with a focus on historical, cultural and architectural elements will transport you to the ancient land of the Seljuks and Ottomans. Let the illustrations be your guide to the vast world of Turkish Islamic Art and Architecture as you forge your own path and discover the treasures the Seljuks and Ottomans left behind. Visit the lavish monuments from the time of the Anatolian Seljuks to the early and high Ottoman eras, whose masterpieces include Topkapi Palace, the imperial mosque complexes, colleges, hospitals, public baths, and water fountains, and marvel at the detail that has left no corner bare. Explore all the nooks and cracks and you will be sure to experience a piece of history that will leave you dreaming of the days of old.
10. Arte Y Arquitectura Del Islam 650-1250
