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Best fanny kemble reviews
1. Journal of a Residence on a Georgian Plantation in 1838-1839 (Brown Thrasher Books Ser.)
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Originally published in 1863, out-of-print and unavailable for almost a century, Frances Anne Kemble's Journal has long been recognized by historians as unique in the literature of American slavery and invaluable for obtaining a clear view of the "peculiar institution" and of life in the antebellum South.
Fanny Kemble was one of the leading lights of the English stage in the nineteenth century. During a tour of America in the 1830s she met and married a wealthy Philadelphian, Pierce Butler, part of whose fortune derived from his family's vast cotton and rice plantation on the Sea Islands of Georgia. After their marriage she spent several months living on the plantation. Profoundly shocked by what she saw, she recorded her observations of plantation life in a series of journal entries written as letters to a friend. But she never sent the letters, and not until the Civil War was on and Fanny was divorced from Pierce Butler and living in England were they published.
This Brown Thrasher edition incorporates the valuable introduction written by John A. Scott for the 1961 edition published by Alfred A. Knopf, together with the editor's appendices to that edition. It provides the modern reader with the historical and biographical background to move freely and with ease in Mrs. Kemble's world.
2. Fanny Kemble: A Performed Life
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A ForeWord magazine Book of the Year for 2007
Charismatic, highly intelligent, and splendidly talented, Fanny Kemble (1809-93) was a Victorian celebrity, known on both sides of the Atlantic as an actress and member of the famous Kemble theatrical dynasty, as a fierce opponent of slavery despite her marriage to a wealthy slave owner, as a brilliantly successful solo performer of Shakespeare, and as the author of journals about her career and life on her husband's Georgia plantations. She was, in her own words, irresistible as a "woman who has sat at dinner alongside Byron . . . and who calls Tennyson, Alfred."
Touring in America with her father in the early 1830s, Kemble impulsively wed the wealthy and charming Philadelphia bachelor Pierce Butler, beginning a tumultuous marriage that ended in a sensational divorce and custody battle fourteen years later. At the time of their marriage, Kemble had not yet visited the vast Georgia rice and cotton plantations to which Butler was heir. In the winter of 1838, they visited Butler's southern holdings, and a horrified Kemble wrote what would later be published on both sides of the Atlantic as Journal of a Residence on a Georgian Plantation. An important text for abolitionists, it revealed the inner workings of a plantation and the appalling conditions in which slaves lived. Returning to England after her divorce, she fashioned a new career as a solo performer of Shakespeare's plays and as the author of memoirs, several travel narratives and collections of poems, a short novel, and miscellaneous essays on the theater. For the rest of her life, she would divide her time between the two countries.
In the various roles she performed in her life, on stage and offabolitionist, author, estranged wifeKemble remained highly theatrical, appropriating and subverting nineteenth-century prescriptions for women's lives, ever rewriting the roles to which she was assigned by society and inheritance. Hers was truly a performed life, and in the first Kemble biography in twenty-five years to examine that life in its entirety, Deirdre David presents it in all its richness and complexity.
3. Fanny Kemble's Civil Wars
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A British stage star turned Georgia plantation mistress, Fanny Kemble is perhaps best remembered as a critic of slavery--and an influential opponent of this institution during the years leading up to the Civil War. By the mid-1830s, American society was firmly in the grip of Kemble's celebrity as an actress--young ladies adopted "Fanny Kemble curls," a tulip was named in her honor, and lecture attendance at Harvard fell so sharply on afternoons of Kemble's matinees that professors threatened to cancel classes. Catherine Clinton's insightful biography chronicles these early portraits of Fanny's life and shows how her role in society changed drastically after her bitter and short-lived marriage to the heir of a Georgia plantation owner, whom she derisively called her "lord and master." We witness the publication of Journal of a Residence on a Georgia Plantation, in which Kemble hauntingly records the "simple horror" and misery she saw among the slaves. The raw power of her words made for an influential anti-slavery tract, which swayed European sentiment toward the Union cause. The book was embraced by Northern critics as "a permanent and most valuable chapter in our history" (Atlantic Monthly). In Fanny Kemble's Civil Wars, Catherine Clinton reveals how one woman's life reflected in microcosm the public battles--over slavery, the role of women, and sectionalism--that fueled our nation's greatest conflict and have permanently marked our history.4. Fanny Kemble's Journal: of a Residence on a Georgia Plantation
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A personal indictment of the institute of slavery in the Southern United States, as witnessed directly by Fanny Kemble, a British actress in 1838 and 1839. Her husband, the heir to the plantations in Georgia, however, forebade her to publish this material on pain of never seeing her daughters again. She complied, until the two daughters had reached the age of 21, and then allowed the journal to be published in 1863, when the Northern troops were already present along the coast near the Altamaha River, where the plantations were located. In a very personal way, she relates her many varied experiences, efforts to make life easier for the slaves despite her husband's stubborn resistance. As an English citizen, she had seen the total end of slavery throughout the British Empire in 1833, just a few years before her journey to Georgia. She ends her account with a stirring defense of Harriet Beecher Stowe's novel, Uncle Tom's Cabin, which had raised such a storm of controversy in the United States. Like Stowe, Kemble sees all sides of the situation, with her eyes and with her heart.5. Fanny Kemble's Journals
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Henry James called Fanny Kemble's autobiography "one of the most animated autobiographies in the language." Born into the first family of the British stage, Fanny Kemble was one of the most famous woman writers of the English-speaking world, a best-selling author on both sides of the Atlantic. In addition to her essays, poetry, plays, and a novel, Kemble published six works of memoir, eleven volumes in all, covering her life, which began in the first decade of the nineteenth century and ended in the last. Her autobiographical writings are compelling evidence of Kemble's wit and talent, and they also offer a dazzling overview of her transatlantic world.
Kemble kept up a running commentary in letters and diaries on the great issues of her day. The selections here provide a narrative thread tracing her intellectual developmentespecially her views on women and slavery. She is famous for her identification with abolitionism, and many excerpts reveal her passionate views on the subject. The selections show a life full of personal tragedy as well as professional achievements. An elegant introduction provides a context for appreciating Kemble's remarkable life and achievements, and the excerpts from her journals allow her, once again, to speak for herself.
6. Fanny Kemble: Journal of a Young Actress
