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1. The Comics Journal #303 (Vol. 303) (The Comics Journal)
Description
The most award-winning, internationally acclaimed comics and graphic novel magazine in the mediums history returns to print!
The Comics Journal, which is renowned for its in-depth interviews, comics criticism, and thought-provoking editorials, features Gary Groth in frank and often hilarious discussion with the satirist and childrens book author Tomi Ungerer. Ungerer talks about the entire trajectory of his life and career: growing up in France during the Nazi occupation, creating controversial work, and being blacklisted by the American Library Association. This issue, the first in its new twice-a-year format, covers the new mainstream in American comics how the marketplace and overall perception of the medium has drastically shifted since the graphic novel boom of the early 2000s and massive hits like Persepolis, Fun Home, and Smile. It also includes sketchbook pages from French-born cartoonist Antoine Coss an introduction to homoerotic gag cartoons out of the U.S. Navy; andYour Black Friend cartoonist Ben Passmores examination of comics and gentrification. Full-color illustrations throughout.2. The Comics Journal #304 (Vol. 304) (The Comics Journal)
Description
This issue of the award-winning magazine features an interview with Megahex cartoonist Simon Hanselmann and focuses on economics.
In this issue of the award-winning magazine, Tasmanian cartoonist Simon Hanselmann discusses how his webcomic starring a witch, a cat, and an owl became an internationally acclaimed, best-selling phenomenon. Thematically, #304 highlights labor and economics the past and the future of organizing a comics union, work-for-hire contracts, and how comic conventions can better serve creators with the Journals hallmark candor. Other features include an exclusive look at the unfinished graphic novel that Eisner and Geisel Award winner Geoffrey Hayes was working on before his untimely death in 2017, a peek inside the lush sketchbook of Sophie Franz, a timely work by Brazilian cartoonist Laura Lannes, and more! Full-color illustrations throughout.3. The Comics Journal #302 (The Comics Journal)
Description
This comics criticism annual feature career-spanning interviews with Maurice Sendak and Jacques Tardi, a kids comics roundtable moderated by Art Speigelman, and much more.
The newly formatted, 600+ page Comics Journal has proved a resounding success with 2011s edition, featuring a cover and interview with R. Crumb, instantly selling out. 2012s #302 is sure to prove just as critically and commercially exciting to comics readers worldwide. This editions cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful childrens book author of the 20th and 21st century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview, Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning and also, on the lighter side, about his love (and hate) of movies. Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi; the two will explore the Eisner Award-winners genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, icepunk and more. Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids comics (Carl Barkss Donald Duck, John Stanleys Little Lulu, Sheldon Mayers Sugar and Spike, and many more) with a group of comics critics and historians. Michael Dooley moderates a roundtable discussion with Robert Williams, Joe Coleman, Marc Bell, and Esther Pearl Watson about the relationship between fine art and comics. Bob Levin provides a revelatory investigation of the twisted history of the Keep on Truckin litigation and a fascinating biographical portrait of R. Crumbs lawyer, Albert Morse. Warren Bernard writes a groundbreaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. Plus: How to Draw Buz Sawyer by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), comics by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, a visual gallery of and commentary on proto-comics, and more. The Comics Journal has been for 37 years the worlds foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics. Yes4. The Comics Journal #301
Feature
Used Book in Good ConditionDescription
CRUMB'S GENESIS SHOWCASED IN FIRST ISSUE OF NEW FORMAT
As you all know, The Comics Journal has been, for almost 35 years, the standard bearer of critical inquiry, discrimination, debate, and serious discussion of
comics as art, and the object of love and devotion among the comics cognescenti - and hate and scorn among the philistines, natch. We published our 300th issue over a year ago and spent that time re-conceptualizing the institution as an annual book-length magazine - over 600 pages long, chock full of the kinds of criticism, interviews, commentary, and history that has made it the most award-winning and critically lauded magazine in the history of comics.
This volume features a focus on R. Crumb's most commercially successful project of his career, his comics adaptation of Genesis, including the most extensive interview he's given on the subject as well as a long critical roundtable among six comics critics reviewing the book and debating each other over its merits; plus:
An interview with Joe Sacco about his recent journalistic masterpiece, Footnotes in Gaza;
A peek into the private sketchbooks of (and accompanying interviews with) Jim Woodring, Tim Hensley, and the novelist Stephen Dixon;
A conversation between Mad Fold-Out creator Al Jaffee and Thrizzle auteur Michael Kupperman;
A complete full-color reprinting of the 1950s Gerald McBoing Boing comic;
The first significant biographical essay charting the turn-of-the-century cartoonist and illustrator John T. McCutcheon; and essays and reviews by R. Fiore, R.C. Harvey, Chris Lanier, Rob Clough, and others.
Gorgeously re-formatted and completely re-designed, The Comics Journal 301 is no mere magazine but a gigantic compendium covering comics past and present that will shock and delight every truly curious comics reader.
As you all know, The Comics Journal has been, for almost 35 years, the standard bearer of critical inquiry, discrimination, debate, and serious discussion of
comics as art, and the object of love and devotion among the comics cognescenti - and hate and scorn among the philistines, natch. We published our 300th issue over a year ago and spent that time re-conceptualizing the institution as an annual book-length magazine - over 600 pages long, chock full of the kinds of criticism, interviews, commentary, and history that has made it the most award-winning and critically lauded magazine in the history of comics.
This volume features a focus on R. Crumb's most commercially successful project of his career, his comics adaptation of Genesis, including the most extensive interview he's given on the subject as well as a long critical roundtable among six comics critics reviewing the book and debating each other over its merits; plus:
An interview with Joe Sacco about his recent journalistic masterpiece, Footnotes in Gaza;
A peek into the private sketchbooks of (and accompanying interviews with) Jim Woodring, Tim Hensley, and the novelist Stephen Dixon;
A conversation between Mad Fold-Out creator Al Jaffee and Thrizzle auteur Michael Kupperman;
A complete full-color reprinting of the 1950s Gerald McBoing Boing comic;
The first significant biographical essay charting the turn-of-the-century cartoonist and illustrator John T. McCutcheon; and essays and reviews by R. Fiore, R.C. Harvey, Chris Lanier, Rob Clough, and others.
Gorgeously re-formatted and completely re-designed, The Comics Journal 301 is no mere magazine but a gigantic compendium covering comics past and present that will shock and delight every truly curious comics reader.
5. Bioworld - DC Comics - Superman Travel Journal Notebook
Feature
PAGE COUNT - The Superman Journal has 192 pages.MATERIAL - The Superman Stationary is made with PU, Moleskin, Poly Ribbon, Paper, and Cardboard.
OFFICIALLY LICENSED - The Superman Accessory is officially licensed and 100% authentic.
GREAT GIFT - This is a great DC Comics giftf or fans who are always on the go.
SIZE - The DC Comics Journal is 140Mm X 220Mm
Description
He can fly, he's strong, and he makes for a great DC Comics Journal! The Superman Journal is a blue and red travel journal with a bold Superman logo design on the front. The Superman Stationary has a removable, lined journal insert and the interior of the journal is designed with suede and has several card slots for your cards and IDs. The Superman Accessory is 140Mm X 220Mm and has 192 pages to record your thoughts and plans! This is a great DC Comics gift for fans!6. Flash PU Better Journal
Feature
OFFICIALLY LICENSED - This is an officially licensed and 100% authentic product.DURABLE - The Flash Journal is a PU Better Journal so you know it's durable enough to hold up to any task.
BRIGHT & BOLD - The cover is designed to bright and bold with a bright red background and a vibrant yellow Flash symbol.
GREAT GIFT - The Flash Journal makes an excellent Flash gift for fans of the superhero.
UNISEX - This is the perfect journal for any guy or girl!
Description
He's the fastest man alive who you can always count on to save the day. Now, you can count on him to keep all of your thoughts and ideas ina safe, secure location also! The Flash Journal is a DC accessory with 96 sheets and 192 pages of lined paper. The Flash acessory includes uniquely printed interior pages and a convenient back pocket so you can stay organized. The Hi quality PU cover is printed in a bold red with a bright yellow Flash symbol on the front cover and lightning bolts spreading across to the edges. This would make an excellent Flash gift for anyone who is a fan of the DC superhero.7. Flash Journal DC Comics Journal Justice League Journal Flash Accessory
Feature
PAGE COUNT - The Flash Journal features a removable/refillable journal insert.MATERIAL - The Flash Accessory is made with PU, Moleskin, Poly Ribbon, Paper, and Cardboard.
OFFICIALLY LICENSED - The DC Comics Journal is officially licensed and 100% authentic.
GREAT GIFT - This is a great DC Comics Gift for fans who are always on the go.
SIZE - The Flash Stationary is 140Mm X 220Mm
